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Adelaide
Neilson
(1846-1880)
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"The
best representative of Shakespeare's
Juliet, Viola, and Imogen who had
appeared on the stage in our
time." William Winter |
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Neilson,
[Lillian] Adelaide (née Elizabeth Ann
Brown) (1848-1880)
English actress born in Leeds. Her own
life was as tragic as some of the
heroines she played. She was the
illegitimate daughter of an actress
and spent her childhood and early life
living in poverty and doing menial
labor. She ran away to London under
the name Lizzie Ann Bland and made a
living as a Shakespeare reciting
barmaid near the Haymarket. She made
her stage debut in 1865 in Margate,
England as Julia the The Hunchback
(a role with which she was long
associated), and in July of the same
year she appeared as Juliet at the
Royal Theatre, London. For the next
several years she performed at several
London and provincial theatres. Her
quality was one of the combination of
gleeful childhood vitality and womanly
pathos. She was a highly regarded
Juliet and Viola and her other
outstanding roles included Rosalind,
Rebecca (Ivanhoe), Beatrice, and
Isabella (Measure for Measure). She
was a great beauty and her voice was
described as musical. She first
performed in the United States in
November 1872 as Juliet at Booth’s
Theatre and afterwards toured the
country. She returned to this country
in 1875, 1877 and 1879, each time with
much success. She married Philip Henry
Lee in 1872, but was divorced in 1877.
She died suddenly in Paris on August
15, 1880, at the age of 32.
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(Click
on photo to enlarge) |
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as
Juliet |
1872 |
as
Viola |
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Portrait |
Autograph |
Portrait |
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Joseph
Haworth & Adelaide Neilson
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As a
stage-struck Cleveland boy, Joseph
Haworth sat in the top balcony of John
Ellsler's Academy
of Music, and saw Adelaide Neilson
play Rosalind in As You Like It.
By 1877, Joseph
Haworth was a leading actor himself in
Mr. Ellsler's theatre, and the
twenty-one year old took a leave from
the company
to debut in New York with Anna
Dickinson in Crown
of Thorns at the Eagle
Theatre. When the play was poorly
received and folded early, the Eagle
management substituted The
Hunchback in which Joe played
"Sir Thomas Clifford" and Macbeth
in which he played
"Malcolm." At the end of
this engagement, Joe was immediately
hired by Daly’s Theatre to play
"Benvolio" in Romeo and
Juliet and "Guiderius"
in Cymbeline with Daly's
leading actress
Adelaide Nielson. These were the only
supporting roles Joe ever played on
the New York Stage. From then on, New
York audiences only saw him in leads. |
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